{"version":"1.0","provider_name":"\u042e\u0440\u0438\u0439 \u0428\u0435\u0440\u043b\u0438\u043d\u0433 | yuri-sherling","provider_url":"https:\/\/yurisherling.com\/en\/","author_name":"admin","author_url":"https:\/\/yurisherling.com\/en\/author\/admin\/","title":"About me - \u042e\u0440\u0438\u0439 \u0428\u0435\u0440\u043b\u0438\u043d\u0433 | yuri-sherling","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KlnwfrbxzC\"><a href=\"https:\/\/yurisherling.com\/en\/biography\/\">About me<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/yurisherling.com\/en\/biography\/embed\/#?secret=KlnwfrbxzC\" width=\"600\" height=\"338\" title=\"&#8220;About me&#8221; &#8212; \u042e\u0440\u0438\u0439 \u0428\u0435\u0440\u043b\u0438\u043d\u0433 | yuri-sherling\" data-secret=\"KlnwfrbxzC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/yurisherling.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"BIOGRAPHY Yuri Sherling (born 23 August 1944, Moscow) &#8211; Russian composer, theater director, choreographer and choreographer. Honored Artist of the RSFSR, Doctor of Arts, Academician of the American Academy of IASEIA. Childhood and youth Yuri Sherling was born in Moscow. The child was raised by his mother, a pianist and accompanist Alexandra Arkadyevna (Sarra Aronovna) Sherling, a graduate of the Leningrad Rimsky-Korsakov Conservatory. He met his father, radio engineer Boris Abramovich Tevelev, only at the age of 18. Y. Sherling began to study music seriously at the age of four at the Music School at the Gnessin School. A student of Elena Fabianovna Gnesina and a graduate of the Moscow Choreographic School, he began performing at the Igor Moiseev State Academic Folk Dance Ensemble in 1963. But two years later he was invited to the ballet troupe of the theater. Stanislavsky and Nemirovich-Danchenko. In 1965 he entered the Higher Directing Courses at the workshop of the People&#8217;s Artist of the USSR A. Goncharov and in 1969 received a diploma from the State Institute of Theater Arts with a degree in musical theater director. The beginning of a director&#8217;s career In 1971, A. A. Goncharov invited Yu. B. Sherling to work together on the American musical &#8220;The Man from La Mancha&#8221; at the theater. V. Mayakovsky. This performance, in which Y. Sherling performed in a new role of director, did not leave the stage for 14 years. In the seventies, Yuri Sherling directed the film &#8220;Only one movement&#8221; and two television ballets &#8211; &#8220;Winter rainbow&#8221; and &#8220;In the shop of an old musician&#8221; The next theatrical performance by Y. Sherling was also the musical &#8211; &#8220;The Skinny Prize&#8221; based on the play by the Cuban writer E. Quintero. The production was staged by the State Russian Drama Theater of the Estonian SSR, where Yu. Sherling was invited after his successful work on The Man from La Mancha. The premiere, which took place in March 1974, was attended by the head of the Moscow Theater. Mossovet, director Yu. A. Zavadsky, who transferred the production to the stage of his theater. The Moscow premiere of the musical took place in December 1974 and was officially dedicated to the 16th anniversary of the Cuban Revolution. Chamber Jewish Musical Theater Yuri Sherling gained his main fame by organizing in 1977 the Chamber Jewish Musical Theater (KEMT), based in Birobidzhan and Moscow and performing performances in Yiddish (1977-1985), the first professional Jewish theater in the country since the closure of the Moscow State Jewish Theater ( GOSET) in 1949. The organization of the theater in Moscow, on Sokol, was also directly related to the Soviet party authorities and the Deputy Minister of Culture of the RSFSR, composer Andrei Makarov. Yuri Sherling himself explained the decision to create KEMT by his reaction to &#8220;state anti-Semitism&#8221; in the USSR: &#8220;National pride awoke in me &#8230; I should have found something capable of ramming the resistance to Yiddish culture&#8221; &#8211; from an interview with the Forverts newspaper In this theater, Y. Sherling was not only an artistic director, but also a composer and performer of roles. The most famous KEMT production was the musical &#8220;The Black Bridle of the White Mare&#8221; (Russian text by Ilya Reznik, text in Yiddish by Haim Bader, design by Ilya Glazunov, music by Y. Sherling), staged in 1978. Other productions by Y. Sherling at KEMT are the musical performance Lomir ale ineynem (Let&#8217;s All Together), the opera-ballet The Last Role, the play I Come From Childhood, the folk opera Golden Wedding and the musical Tevye iz Anatevka \u201d(libretto by Lyudmila Ulitskaya based on the story\u201c Tevye the Milkman \u201dby Sholem Aleichem) &#8211; an arrangement for the Soviet stage of the famous musical\u201c Fiddler on the Roof \u201dby D. Bock and D. Stein. Follow-up work In 1985 Y. Sherling was forced to leave the walls of his theater. He staged performances mainly abroad. In particular &#8211; the play &#8220;Ghetto&#8221; based on the play by the Israeli playwright Yeshua Sobol (in Norway). He worked in television: he is the author of a number of music TV shows on Norwegian TV. Conducted concert activities as a solo pianist in Japan, Switzerland, Great Britain, USA, Germany, Austria, Hungary. In the spring of 1989, returning to his homeland, Yuri Sherling opened a new theater, the School of Musical Art. On the stage of the theater were staged the folk opera &#8220;When the sand rises&#8221;, the opera-mystery &#8220;Have mercy&#8221;, the musical show &#8220;School of Musical Art&#8221;, the art show &#8220;Turetsky Choir&#8221;. With the repertoire of the School of Musical Art: the performances &#8220;School of Musical Art&#8221; and &#8220;Have Mercy&#8221;, Y. Sherling successfully toured the United States. Since 1999 Yuri Sherling has been the Vice President of Public Relations at Sobinbank. In 2007, Yu. B. Sherling revived the performance &#8220;The Black Bridle of the White Mare&#8221; at the Satire Theater. Despite the successful premiere, this performance was not noticed by the general public and soon left the stage. In 2009, on the basis of the Theater &#8220;School of Musical Art&#8221; Yuri Sherling established the Sherling Art Production Center, which is engaged in producing and organizing concerts of jazz and classical musicians. In March 2010, the Moscow International House of Music hosted a presentation of the jazz performance &#8220;DREAM&#8221; by Alexandra Sherling, in which Yuri Borisovich acted as the author of the idea and the stage director. Composer works: Mystery opera &#8220;The Black Bridle of the White Mare&#8221; Ballet &#8220;The Last Role&#8221; Opera &#8220;Tevye from Anatovka&#8221; Folk Opera &#8220;Golden Wedding&#8221; Folk show &#8220;I come from childhood&#8221; Concerto for symphony orchestra and alto saxophone number 1 op. one Waltz &#8220;Reflections&#8221; op. 2 \u201cSinai desert\u201d for chamber orchestra and saxophone op. 3 Concert for piano and symphony orchestra op. 4 Swim on the Thames op. 5 Concerto for chamber orchestra and alto saxophone number 2 op. 6 Variations for chamber orchestra and cello op. 7 Romance for symphony orchestra and violin op. nine \u201cScotch Dreams\u201d for symphony orchestra and alto saxophone op. ten","thumbnail_url":"https:\/\/yurisherling.com\/wp-content\/uploads\/elementor\/thumbs\/img053-qgzlzavskux4brm8vkkfc8x5v8wfws7r7zcbvmyg10.jpg"}